Tag Archives: cemetery

Clayton Smith (1897-1897)-Jackson, Georgia

Butts County

Clayton Smith only lived a mere five months. His marker can be found in the Jackson City Cemetery.

Many children did not live past the first few years due to illnesses like diphtheria. The cherub is almost exclusively seen as markers for young children and represent innocence. The dropped cloth can represent the earthly ties that someone leaves behind as they descend to heaven.

Circular Congregational Church Burial Ground-Charleston, South Carolina

Reverend James Parker, d. 1742

Founded in 1681, the Circular Congregational Church is one of the oldest churches in continual use in Charleston. The burial ground, also known as graveyard since it is next to the church, is the oldest one in the city. The first burial occurred in 1695.

George Hesket, 1690-1847

Many of the grave markers are made of slate and carved in New England. The tympanic markers illustrate the evolution of grave symbolism. Skull and crossbones were part of the earlier designs, but they evolved to angels and portraiture. The graveyard contains the most slate markers in a Southern state.

Reverend Guliemi Hutson, 1720-1761
Solomon Milner, 1727-1757

David Stoddard, d. 1769

Old City Cemetery-Sandersville, Georgia

Founded in 1836 and expanded in 1868, the Old City Cemetery is located in a 4.5 acre plot of land near the town center. The cemetery features several different types of markers that represent the change in marker styles. For a smaller cemetery, it contains several Victorian monuments. I featured many of those here.

It was placed on the National Register of Historic Places in 1987.

Daisy Evans (1906-1908)-A common element in Victorian grave markers is a human figure, child or adult, dropping petals below. While I can’t find a consensus on the meaning, it seems to represent a heavenly reminder to those who are earthbound.

George Clinton Evans (1901-1903)-A common motif on Victorian markers is the cherub removing the shroud from a coffin. This represents hope as the shroud of grief is lifted.
William Howard Evans (1909-1913-Etched at the bottom, it says “Grand Pa’s Pet.” Scrolls represent the documentation of our lives in Heaven.
Ernestine Artman Roberts (1844-1882)-This is one of the larger zinc or “zinkies” I’ve photographed in the state of Georgia. Monumental Bronze Company in Bridgeport, CT made these markers from 1874-1914, and they can be found all over the United States.
Emily Evans (1897-1899)-This headstone is in desperate cleaning to bring out the details of the baby shoes and empty stockings.
Walter Gallaher (1878-1916)-Conch shells placed on a grave were popular during the Victorian era, and they represented a Christian’s journey through life and the church.
Dr. William Haynes (1797-1856)-Haynes was a local preacher, doctor, and high level Mason. The compass and carpenter’s square with the G is one symbol of the Masons. It symbolizes the interaction between the mind and matter.

Riverview Cemetery-Canton, Georgia

Located in Canton, Georgia, Riverview Cemetery is one of the older cemeteries in Cherokee County. The Brady Monument memorializes Thomas Brady, the sculptor for the Lion of Atlanta that used to be in Oakland Cemetery in Atlanta.

This memento is on Marie Brady’s grave who died at a young age.

Bertha Wolff monument in Rose Hill Cemetery-Macon, Georgia

Bertha Wolff’s monument is the only inland John Walz I’ve found to date in the state of the Georgia. One interesting part of her monument is that there are no birth or death dates. I located her obituary where it shared she was married to William Wolff (which is the section where she is located in Rose Hill Cemetery). Her husband donated land to Beth-Israel congregation start the William Wolff Cemetery, which is located closer to Riverside Cemetery within Rose Hill.

An interesting piece about William Wolff is that he immigrated to the United States from Germany, too. In the 1870 census, he listed as a “seller of rags.” By the time his wife passed away unexpectedly, he was a very successful dry good salesman.

From the 1907 Macon Telegraph

BEAUTIFUL STATUE MRS. WM. WOLFF
MAGNIFICENT PRODUCTION BY GERMAN SCULPTOR, JOHN WALZ.
Upon a Grecian pedestal, embellished with symbolic ornaments, stands the statue of Mrs. William Wolff, in meek repose, holding a bunch of lilies, symbolic of purity, and dropping one with the right hand as if placing it on the grave, while in the freize below is to be seen the anthem, denoting the chorus of angels. And further down to the right and left are festoons of immortels and the beautiful flower poppy with buds and leaves symbolic of sleep.


The epitaph is chaste like the inscription on the monument. The name “Bertha” is in raised letters of German Type, with a beautiful sentiment expressed in the following words below:
“The heart’s keen anguish only those can tell
Who have bid the dearest and the loved farewell.”

The originator and sculptor of this magnificent piece had a difficult task to produce the statue never having seen Mrs. Wolff, and had only photos to give him an idea of facial contour and expression. But by comparing one with the other, the artist finally succeeded in getting the likeness.
Macon has in this monument a work of art only equated by those in Savannah, where the sculptor placed the first one over the grave of Mrs. McMillan in Bonaventure cemetery, about two years ago.

This beautiful monument to Mrs. Wolff, in Wolff cemetery, is the work of Sculptor John Walz, of Savannah, Ga., 407-9 Liberty street East. He was a pupil of the great French master, Aime Millet, and Victor Tilgner, of Vienna, Austria. The monument was placed yesterday, and as a work of art has no superior in the burial grounds of this city.

Little Martha Ellis at Rose Hill Cemetery-Macon, Georgia

“Little Martha” Ellis (1883-1896), the namesake of an Allman Brothers song, sits almost at the bottom of the hill and overlooks Rose Hill Cemetery from her vantage point. Whenever I visit, there is a new flower resting in the crook of her arm.